Musical Cabaret Overview And Analysis Theatre Essay

Musical Cab bet Overview And Analysis line of business EssayI choose the musical order as it is a very placeerly story, descend in 1931 Berlin as the Nazis were rising to power it focuses on different controversial issues of its time period. A human body of issues ar explored throughout the unfolding story of the golf-club such as sexual freedom, politics and anti-SemitismI feel sense of hearings go forth be attracted to this Musical because of its powerful lyrics and storyline, in exceptional, the two love stories pearl Bradshaw and go Bowles Fraulein Schneider and Herr Schultz, and the way the different characters are demoed in the musical.2. Text What are the ideas the playwright/ librettist is hard to express? What is the relevance of the musical to contemporary Australian audiences?The romantic love stories of two couples and the impact fraternity has on their relationships the story of a small English nightspot performer Sally Bowles and her relationship with the young Ameri ass writer Cliff Bradshaw and the other story of a German boarding house proprietor Fraulein Schneider and her elderly suitor Herr Schultz, a Jewish fruit vendor. Both relationships are doomed to failure.The musical is very relevant to contemporary Australian audiencesAudience will motive to see this takings, not only does it receive excellent music but it portrays some very strong controversial issue of the time period. These issues are still present in our time. It is also important that we as Australians are reminded of the historical past and what we can learn to fight intolerance.3. Costume, Sets and Props What requirements are there in each(prenominal) of these areas?CostumeEmcee exhausting a long black leather coat and boots, eyes play uped with blue eye shadow, lips coloured livestock red, bowtie attached to parachute harnessEach cabaret girl to portray a distinct spirit need to sing, dance, act and play musical instrument, they do not have to look s pectacular, look desire scanky low class girls. guild girls wear scant lacy undergarments with holes and ladders in the stockings. The figures on gunpointcoach look ghoulish.Sally Bowles various refer to put down physiques belowErnst Ludwig dressed in trench coat in wreak 1, crack 2, and brown suite, etc.Cliff Bradshaw dressed in woollen suit and vest + tie.Herr Schultz -see photograph images belowFraulein Schneider -see photograph images belowFraulein Kost -see photograph images belowSets solve 1 movie 1 nine Scene Broken light bulbs surrounding stop see model. figure 1 Scene 2 Train Carriage Front of stage stage 1 Scene 3 Fraulein Schneider Boarding kinsperson Backdrop of 3 doors with light fixture dropped from ceiling, see model.Act 1 Scene 4 Cabaret Scene kit up bozo Klub full stageAct 1 Scene 5 Cabaret Scene kit cat-o-nine-tails Klub near spiral staircase Sallys dressing roomAct 1 Scene 6 Cliffs room - concealmentdrop of 3 doors left align of stageAc t 1 Scene 7 Cabaret Scene full stage again, focus on kit kat klubAct 1 Scene 8 sustenance Room of Fraulein Schneiders boarding house right side of stageAct 1 Scene 9 Front of StageAct 1 Scene 10 Cliffs room -backdrop of 3 doors left side of stageAct 1 Scene 11 Living Room of Fraulein Schneiders boarding house right side of stageAct 1 Scene 12 The Fruit Shop window suspendedAct 2 Scene 1 Cabaret SceneAct 2 Scene 2 The Fruit ShopAct 2 Scene 3 Front of StageAct 2 Scene 4 Cliffs room -backdrop of 3 doors left side of stageAct 2 Scene 5 Cabaret Scene Kit Kat KlubAct 2 Scene 6 Cliffs room -backdrop of 3 doors left side of stageAct 2 Scene 7 Railway Station / Cabaret ScenePropsOptional 6 tables with telephones in cabaret mountTrain carriage bench seat or 3 chairsBrown grip x 2Black briefcaseTypewriter and caseNewspaper duck or large trunk and 2 chairsOptional dressing table, mirror to one side near stage left spiral staircase front of stageSuitcase (Sally) + 3 moreSally wearin g fur coat6 chairs. Girls dance on them for caberet candidateBrown paper bag containing pineappleSmall wind-up gramophoneTable and 2 chairsBottle of Gin + 2 glassLarge gift-wrapped packageEnvelope with money box containing fruit bowlSuitcase (Schultz)4. Briefly outline how redness and earphone will contribute to your yield. devise a list of the sound and light effects you would akin and indicate when they occur in the production. discharge Design A single normal house bayonet light reprieve down in the centre of stage, this would be used for a typeism of inside a room and the fervour which would ordinarily illuminate the room.For this musical, the lighting design will have to be very carefully final causened, in wrong of position such as, angles and thrust distance. As well as fixture selection taking into consideration the physical characteristics such as beam size, wattage, luminosity, fixture type, etc.To light this stage effectively the stage will be low up into a g rid and each part of the stage will be illuminatedI would like to use expert fixtures with conventional fixtures. The intelligent fixtures would be considerable for scenes like the Kit Kat Club as this scene depends on colours and shadows to give the audience the right illusion of a seedy night club. Also, the beam of an intelligent fixture is quite shrewd and doesnt really produce much spill on stage so it would be fantastic for entirely spy.I would hold the use of follow spot, as I would like to keep the destine in its traditional form and in keeping with the historical context. Follow spots are good for things like the Emcee as he run fors almost the stage.For the cabaret scenes, use of deep blues, purples and pinks colours silhouetting the Kit Kat Club girls on stage. Lightings surrounding the stage and suspended window, door arches (e.g. I have included photos from earlier channelises I have designed to illustrate my ideas see at the end of this report), and the se cond stage level floor will be bordered with beautify lights. These lights can then be chased. I want to portray a very dingy, run down club where some of the globes will be broken or missing, at the same time as the girls on stage will look sexy, as well as giving the set a very seedy appearance.There are leash main different sets common in this production take scene, inside Fraulein Schneiders boarding house, and inside the Kit Kat Klub. Each one of these different sets has a different appearance where the lighting is used to highlight and observe the difference to the set. For the train scenes, the lighting on stage will be focused in the main in front of the proscenium line with the rest of the stage in darkness. The colours used for this particular scene will consist of open white, fixtures will not be at full intensity as I want to achieve a dull Tuscan amber appearance. Lighting in the train carriage is not really bright and the majority of the light source will be comi ng from windows letting in the outside light from outside lights.The second set scene is inside Fraulein Schneiders boarding house the lighting will be very much the same as in the first scene inside the train carriage. However, more of the stage will be lit, up to the back walls revealing three doors. Top level of the set remains in darkness as it is for the cabaret scenes for the Kit Kat Klub. There will be at least(prenominal) 3 hot spots for the boarding house scene where both Cliff and Fraulein Schneider move in most of the scenes. These hot spots will be located along the front proscenium line along the edge of the stage, and 3 lighting hotspots along in front of each door. Colours used will remain swart most of the light on stage will look like its coming from the one hanging lighting batten as a light fixture which is incorporated into the set. The lighting will figure to put down an old run-down boarding house where maintenance has been neglected.The final set is insid e the Kit Kat Klub, the entire stage will be washed in purples, pinks, reds, blues and a point of white thrusters to illuminate faces. The scene is set in a seedy and dirty-looking night club. For the lighting of this scene I want the lighting to cast a silhouette effect on the girls dancing for the cabaret numbers. As the music changes and different scenes are set in different parts of the Kit Kat Klub the lighting changes with the mood. The majority of the lighting for these scenes will be coming from sources side, top, and behind of stage. The lighting creates a powerful perspective illustrating the emotions portrayed on stage. An effect only seen when we are inside the Kit Kat Klub is the festoon lights surrounding the edges of the stage and the suspended mirror in the backdrop of the set. When inside the Kit Kat Klub these lights are just on still, but when during song numbers these lights will be chasing forward, the classic Broadway lighting effect.briny actors will be lit w ith use of the follow spot, the rest will remain in silhouette. grievous Design All the music for the songs would be performed live by the band/orchestra which I intend to incorporate into the production by having them seen by the audience and positioned in acting blocked areas framed upstairs in the suspended picture frame.Various sound effects will be used to help portray to the audience realism. For Act 1 Scene 2 Cliff is on a train to Berlin a screeching sound effect of a steam train travelling is used as backcloth sound as if they are actually in a train carriage. To mark the opening of scene 2, a train whistle sound effect is used. Another effect used is of a crashing symbol to mark the change of scene. A sound effect used for act one scene 9, is of a voice of a young boy singing beautifully and the sound of a steam train in the background. Another sound effect is of a window shattering to mark the end of Act 2 scene 2.5. Characters and actors what kind of people are the ch aracters of the musical? In what kind of world do they exist? If you had complete freedom of choice, what actors would you cast in your production?EmceeSally BowlesCliff BradshawFraulein SchneiderHerr SchultzFraulein KostErnst Ludwig is a member of the Nazi Party and befriends CliffCabaret GirlsCabaret Boys are homosexual and work at the Kit Kat Klub6. How m each production crew/ staff are required to stage this production (during the season ignore pre-production)? Draw up a running crew list, with a de hired handion of what each person will be responsible for.TitleQuantityDescription of responsibilityS7tage manager1 doing weekensure all set building, lighting equipment, support, costumes, furniture and equipment draw.Do cue sheets, prop settings and running orderPrepare assistant stage managers running plotDo lighting and sound compendiumOrganise time fro technical description and dress rehearsalAt technical rehearsal, marque all final checks and discuss all effects with Dire ctorTime cues and calls in prompt appropriateFinalize all elements of prompt diskAttend dress rehearsal and note each problems. world-class night and performance run Check everything Remain calm Reset play after performances fail calls and check all actors and crew present Liaise with front of house staff Note whatsoever alterations or repairs necessary.Lighting Designer1Rehearsal Go though the musical scene-by-scene with the Director to plan precise lighting details.Work out presets and cues and help stage manager to mark the prompt bookBuy or hire equipment as neededWork out a lighting synopsis with the stage managerProduction week Rig and focus lighting fixturesAttend technical rehearsal and test lighting and solve problemsMake final adjustments and prepare controlsLighting Operator1 political program lighting cues as discussed during rehearsals with stage manager and director.Attend technical and dress rehearsals.Fix any problems with lighting designer. attend with lighting designer with making final adjustments.Makes sure has all cues written in scriptOperate the lighting console table for the sessionSound Engineer/ operator2Attend Production meetings and rehearsalsResearch, planning and purchasing sound effects recordings, equipment, suppliesMet with DirectorHire and rig sound equipmentSound plot, mark in script with DirectorAttend final dress and technical rehearsalsOperate the sound console for the sessionOrchestra8 12Rehearsal all music parts from the score with all members of the orchestra music director meets with director, stage manager and sound engineer to discuss cues for lead in and out. Organise the running of the showAttend all shows of the session,Stage Hands4-6Assist the stage manager.Move props and set pieces around the stage for each scene change.Organise the actors and escort and cues actors to when to come onto stage and off.Director1Is to excogitate and meet with every department to ensure that everyone is ready for the upcomin g session week leading up to the opening nightPolish final rehearsals.Make sure all problems have been solved in the lead show commences.Attend light and sound plotting sessionsAttend all rehearsal leading up to the show discuss notes.Set Designer2Attend Dress And Technical RehearsalsMake minor alterations freight in the set and help with the constructionSupervise the Set Builders.Organise propsMake notes of any problems in the last rehearsals leading up to opening nightMake sure all props and sets have been finished been built and ready to be put in place on stageTransport set from work shop to theatre venueCostume DesignerAnd determineup artificer6Check all costumes are finishedMake sure any last atomic number 42 orders have arrived ready in time for opening night, eg wigsAttend all rehearsals leading up to show openingHave all actors in costume for the dress rehearsalsCheck make up, and add suggestions to one-on-one makeup artist, check how all actors look on stage.Administr ation10-12Organise the box office change ticketsWork in FOH sales, bar, usheringOrganise and arrange FOH displays,Print ProgramsLook after the audience.Organise the theatre ready for the audience membersAttend final rehearsalsSet Builder6Install the setRepair any wear and tear damagersFix all the minor details and finishing touches to the set.Paint the setAssist the set designer7. Design How would you describe the imaginative world of the musical? What is its Location? What is the period of your production?The period of this production is set in Pre-World War Two 1930s in Berlin, the capital metropolis of Germany.This should be a minimum of 300 words, and rather than giving a synopsis of the productions. Should give an judgement of what you liked about it why it inspired you. It should be a personal response to the production, and should at least touch on how the technical elements of the production supported the narrative.WickedMy have in theatre has been with nonprofessional productions it was exciting to see a professional show of the magnitude of Wicked. The stage for Wicked was imaginative and lofty. The lighting in Wicked was particularly inspiring and I could easily make connections to my past lighting experience such as in Wizard of Oz, an amateur production I was involved in with a similar storyline. I can see how aspects of Wicked could be incorporated into the Wizard of Oz production to make it more professional.Special effects were projected throughout the production to add to the set and properties, to portray illusions into the audience. The image of Glinda opening entrance when she descended in a bubble onto the stage was fabulous. Another example was seen in the creating of rain. I was awed by the lighting effects produced by the projectors to create the backdrop of the magical green flare on the backdrop of the map of Oz which was seen as the opening and closing of the production.In the final scene in Act one during the song Defining Gravity, Glinda is singing about her feelings of being scared, after she was tricked by the champion to use her magical powers to turn the talking monkey into an evil fast monkey unable to talk. She uses her flying broom stick to escape, I was inspired by the lighting as it was used in a dramatic way as she rises into the air, use of prism scattered gobos in all 5 intelligent fixtures focuses on her as she ascended into the sky, creating a powerful silhouette of colour and rays of light in all directions, closure in a quick blackout to end the song a very powerful destination using the lighting.The use of lighting elements such as colours to create mood, gobos to add patterns and shapes allows the audience to move from reality to the imaginary world of Oz. In Wicked the attention to detail was very obvious. The use of cigaret lights built into the set and the use of tracks to move sets on and off stage was amazing and resulted in an impressive production. My goal is to produce theatre as amazing and as professional as what I saw in this production especially in lighting and sound.